Arctic Monkeys’ “AM” (2013)

I’ve listened to Arctic Monkeys roughly since 2005 or 2006. A lot was happening in that time: I got my an iPod Video, and made a lot of dumb purchases on iTunes. I made lots of one-off single purchases of songs I don’t think I have stored on any devices anymore, I bought South Park Season 10 digitally so that I could watch the Cartoon Wars episodes, I bought the Season Two finale of Lost. I started telling people that I liked “Alternative music,” whatever that means. I listened to and bought a lot of Bloc Party and Arctic Monkeys, I started surrounding myself with anything that iTunes labeled as “Alternative” and came from the U.K. It was a great time to be a fan of Arctic Monkeys because it felt like they were releasing a Single or an EP every few months, though that meant I had no reason to buy their first album “Whatever People Say I Am, That’s What I’m Not” (2006) which featured most of the songs I already owned. Wisely “Leave Before The Lights Come On” (2006) didn’t feature any tracks that spoiled that surprise that was “Favourite Worst Nightmare” (2007) which I enjoyed. But in the time between 2007’s “Nightmare” and 2009’s “Humbug” my love for Arctic Monkeys cooled. In the midst of developing my love for artists like Beck, and They Might Be Giants, my music tastes shifted in such a way that the pure energy of the early Arctic Monkey’s catalog wasn’t my thing anymore. Arctic Monkeys’ “Humbug” (2009) reflected this shift in my musical taste, by showing that the band had the capacity to show down, and get dark, with the help of Queens of The Stone Age’s Josh Homme. I neglected to listen to the band’s fourth release, “Suck It And See” (2011), but now that 2013 is coming to a close, I thought I’d give the band’s latest and commercially greatest album had to offer. After this lengthy pretext, and without further adieu, this is what I thought about “AM” (2013).

It’s hard to say how much the band has changed in the last four years, since I’m missing an entire fourth album, but roughly speaking, “AM” sounds a lot like “Humbug,” and I still don’t know what to make of that observation. On one hand; I think it’s cool that after going years without listening to the band that they still sound familiar to me, on the other hand I was expecting something more after all of these years, and after all of the noise about “AM” being the band’s greatest commercial and critical success.

Sonically the album explores places the band’s been before; guitars in the fat of the fuzz and thick bass lines, but the band reaches uncharted territory by including pianos, organs, octave pedals, and a Blood Orange-like amount of plucky, reverb guitar parts. “One For The Road” stands out vocally, as Josh Homme’s backing vocals are chilling underneath the fast tongue of Alex Turner. Thematically, the first half of “AM” feels largely on edge, creepy, cool, dark, that sort of thing. I was getting tired of it by track five, “I Want It All” and it just so happens that track six is where my opinion of the album starts to turn around.

Arctic Monkeys have always done beautiful well, and “No. 1 Party Anthem” is no exception. Their brand of sleepy guitars, with Turner’s rocking crib of a voice, have always been amazing – but they’re the reason to come to “AM,” the highlight, the thing that Arctic Monkeys have taken to the next level. “No. 1 Party Anthem” and “Mad Sounds” following it, pierce the dark rain clouds floating above “AM” with hope, and light.

“They make you get up and dance, yeah they make you get up, out of nowhere somebody comes and hits you with an, Ooh la la la la”

This mid-album burst of energy is put to good use, launching into the funky number “Why’d You Only Call Me When You’re High?” and the return of Homme in “Knee Socks” before tying the knot of the album, thematically. Arctic Monkeys started by asking “Do I Wanna Know?” (a catchy opening song) and followed up with “R U Mine?” (and although it looks like a twelve-year old’s text, the song broached the dark and mature). By “Knee Socks” we were in the midst of assumptions, break-ups, asking what could have been, and so to close the album on “I Wanna Be Yours” feels right, like the last step of the album’s arc – starting with the desire to possess, and ending with the desire to be possessed.

I’m glad Arctic Monkeys are still around and making music. “AM” was a good listen; it reminded me of what I loved about the band, and showcased how they were developing their strengths. But without knowing what “Suck It And See” sounds like, it’s hard to say whether the band is stuck in gear, or whether this fifth album was just a return to style and themes of old.

2013 Music Review Marathon

We have just over forty days left in 2013, which I think has been a pretty good year all things considered, filled with lots of hard times and losses sure – but more wins than losses! In an attempt to catch up on this year’s albums that I haven’t listened to yet I thought I’d vaguely plan out a few music reviews to last until 2014.

1. Arctic Monkey’s “AM” (2013)
Arctic Monkeys used to be one of my favorite bands ever, I used to buy every little EP and single that came out, back when there was only one album. Now, their fifth album “AM” marks the peak of their commercial success, and since I haven’t listened to any new Arctic Monkeys since 2009’s “Humbug” I thought I’d check out what my Arctic Monkeys have been up to.

2 Franz Ferdinand’s “Right Thoughts, Right Words, Right Action” (2013)
Franz Ferdinand’s last release, “Tonight” (2009) has a permanent place on my iPod, and is one of my favorite albums of all time, easily. I’ve given “Right” a few listens here and there, but haven’t really came down with a definite opinion on the album… yet.

3. Queens of The Stone Age’s “…Like Clockwork” (2013)
Josh Homme produced my favorite Arctic Monkey’s album, “Humbug” (2009), and QOTSA’s “Songs For The Deaf” (2002) and “Era Vulgaris” (2007) are just downright masterpieces. I’ve heard nothing but good things about “…Like Clockwork” and even claims that it’s QOTSA’s best album yet. We’ll see if that’s true.

4. The Fratellis’ “We Need Medicine” (2013)
The Fratellis’ “Costello Music” has to be up there in my Top 25 albums; there were months where I wanted nothing but my Fratellis on repeat, and they’ve accompanied me on many exercise sessions. I never listened straight through their second release “Here We Stand” (2008), but “We Need Medicine” marks the band’s reunion, and I’ll be damned if I don’t welcome it into my heart before the end of 2014.

5. Lorde’s “Pure Heroine” (2013)
Her single “Royals” hit me like a bad of bricks, it’s constantly stuck in my head, and I’m powerless to submit to frequent listens. I’ve listened to the full album, and I definitely like it, so I’m going to give Lorde’s first release the courtesy of a full review.